Edwin Lord Weeks
Caravansary at Shiraz
Caravansary at Shiraz
Created in 1894, this painting exemplifies Weeks' dedication to capturing the essence of Middle Eastern culture, architecture, and landscapes. His firsthand travels through regions like Persia informed his authentic and detailed representations, setting him apart from contemporaries who often relied on secondhand accounts. Caravansary at Shiraz stands as a testament to Weeks' remarkable skill as an Orientalist painter, offering viewers a window into a world of exotic beauty and contributing significantly to the Western understanding of Eastern life during the 19th century.
- Period : 19th Century
- Medium : Oil on Board
- Dimensions: 18.5" x 15.6"
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About
Caravansary at Shiraz
Created in 1894, this painting exemplifies Weeks' dedication to capturing the essence of Middle Eastern culture, architecture, and landscapes. His firsthand travels through regions like Persia informed his authentic and detailed representations, setting him apart from contemporaries who often relied on secondhand accounts. Caravansary at Shiraz stands as a testament to Weeks' remarkable skill as an Orientalist painter, offering viewers a window into a world of exotic beauty and contributing significantly to the Western understanding of Eastern life during the 19th century.
Specifications
-
-
Title
- Caravansary at Shiraz
By
- Edwin Lord Weeks
Size
- 18.5" x 15.6"
Medium
- Oil on Board
Era
- 19th Century
Style
- Realism
-
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About the Artist
Edwin Lord Weeks
As one of the foremost American Orientalist painters, Weeks played a significant role in popularizing the movement in the United States and Europe. His paintings not only reflected the Western fascination with the exotic but also demonstrated a deep respect for the cultures he depicted. Unlike some of his contemporaries, who romanticized Eastern life purely for aesthetic effect, Weeks sought to document his subjects with a sense of authenticity, informed by his firsthand experiences. Today, his works remain valued for their historical insight, technical brilliance, and contribution to the larger Orientalist tradition in art.